Topoi 38 (1):197-209 (2019)

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Abstract
Based on a qualitative study about expert musicianship, this paper distinguishes three ways of interacting by putting them in relation to the sense of agency. Following Pacherie, it highlights that the phenomenology of shared agency undergoes a drastic transformation when musicians establish a sense of we-agency. In particular, the musicians conceive of the performance as one single action towards which they experience an epistemic privileged access. The implications of these results for a theory of collective intentionality are discussed by addressing two general questions: When several individuals share an intention, does this fact secure plural self-knowledge? And is it possible to have non-observational knowledge about a collective action? It is claimed that the results drawn from the study about expert musicianship supports negative answers to both questions.
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DOI 10.1007/s11245-017-9451-2
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References found in this work BETA

Tools for the Body.Angelo Maravita & Atsushi Iriki - 2004 - Trends in Cognitive Sciences 8 (2):79-86.
Plural Self-Awareness.Hans Bernhard Schmid - 2014 - Phenomenology and the Cognitive Sciences 13 (1):7-24.

View all 24 references / Add more references

Citations of this work BETA

Exploratory Expertise and the Dual Intentionality of Music-Making.Simon Høffding & Andrea Schiavio - forthcoming - Phenomenology and the Cognitive Sciences:1-19.

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