University of Chicago Press (2008)

Authors
John Sallis
Boston College
Abstract
What is art really about? What is its true sense? For John Sallis, we cannot gain a genuine understanding of art by merely translating its effects into conceptual language. Rather, works of art must be approached in a way that does justice to their sensuous and enigmatic character—that illuminates their capacity to present truth without pretending to dispel the real mystery at art’s core. Transfigurements develops a framework for thinking about art through innovative readings of some of the most important philosophical writing on the subject by Kant, Hegel, and Heidegger. Sallis exposes new layers in these texts and theories while also marking their limits. By doing so, his aim is to show that philosophy needs to attend to art directly. Consequently, Sallis also addresses a wide range of works of art, including paintings by Raphael, Monet, and Klee; Shakespeare’s comedies; and the music of Beethoven, Schubert, Mahler, and Tan Dun. Through these interpretations of classic works from both fields, Sallis puts forth a compelling new elaboration of the philosophy of art
Keywords Aesthetics  Art Philosophy
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Reprint years 2019
Call number BH39.S25195 2008
ISBN(s) 9780226734224   0226734188   0226734226   9780226734231
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Editors' Introduction.Jussi Backman, Harri Mäcklin & Raine Vasquez - 2017 - Journal of Aesthetics and Phenomenology 4 (2):93-99.
The Shimmering Shining: The Promise of Art in Heidegger and Nietzsche.Timothy Freeman - 2013 - Comparative and Continental Philosophy 5 (1):49-66.

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