(Post)sekularna filozofia negatywna, media wizualne i ekstasis (dekonstrukcja jako wariant neofenomenologii)
Argument: Biannual Philosophical Journal 6 (2):357-372 (2016)
Abstract
The author proposes a neophenomenological interpretation of the late Jacques Derrida’s deconstruction, by bringing it into the light of (post)secular negative philosophy and indicating the application of its mystic/ecstatic implications on a media techno-vision basis. In this conceptualization, deconstruction/negation, as an ,epoche strategy, not only denudes (kenosis) cognition of the idolatry, characteristic of the traditional methaphysics of presence and the dogmatic religion, but also suspends “the source” itself (the Offenberkeit register), and thus, causes the experience of radical emptiness (chora) as a condition of an opening to the Impossible. The author, by presenting the concept of negative image, demonstrates that technology visual media provide a suitable space (groundlessness) for Impossible to manifest itself in post-industrial culture.My notes
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References found in this work
The Prayers and Tears of Jacques Derrida: Religion Without Religion.John D. Caputo - 1997 - Indiana University Press.
The Prayers and Tears of Jacques Derrida: Religion without Religion.John D. Caputo - 1997 - Tijdschrift Voor Filosofie 60 (2):398-401.
Memoirs of the Blind: The Self-Portrait and Other Ruins.Jacques Derrida - 1993 - University of Chicago Press.