Abstract

Since the late 1980s, the affinity between irony and postmodernity has been addressed in several studies that apply semiotic approaches to cultural postmodernity generally and to postmodern literature specifically. The following article contributes to the branch of semiotics of postmodern literature by proposing the notion of bi-paradigmatic irony as a special postmodern sign. Whereas mono-paradigmatic irony establishes its ironic contrast within the same paradigm, in bi-paradigmatic irony, said and meant meanings belong to two different paradigms. On the basis of two semiotic paradigmatic perspectives and three semiotic paradigmatic ideologies , six types of bi-paradigmatic irony are possible. Two of the six types of postmodern irony are applied to theoretical-literary texts by Jacques Derrida and Roland Barthes as well as to literary texts by the Austrian writers Christoph Ransmayr and Hans Carl Artmann