Art, Meaning, and Perception: A Question of Methods for a Cognitive Neuroscience of Art

British Journal of Aesthetics 53 (4):443-460 (2013)

Authors
William Seeley
University of New Hampshire, Manchester
Abstract
Neuroscience of art might give us traction with aesthetic issues. However it can be seen to have trouble modeling the artistically salient semantic properties of artworks. So if meaning really matters, and it does, even in aesthetic contexts, the prospects for this nascent field are dim. The issue boils down to a question of whether or not we can get a grip on the kinds of constraints present and available to guide interpretive behavior in our engagement with works of fine art. I argue that biased competition models of selective attention can be used to solve this problem, generalize to the affective content of our responses to artworks, and so show that research in cognitive neuroscience is germane to the types of problems of interest within the philosophy of art
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DOI 10.1093/aesthj/ayt022
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Neuroaesthetics.Anjan Chatterjee & Oshin Vartanian - 2014 - Trends in Cognitive Sciences 18 (7):370-375.
Aesthetic Experts.Tereza Hadravová - 2019 - Espes 8 (2):27-36.

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