Abstract

The study of the cinema as a driver for the sociological analysis is slightly frequent in our country. There are several articles analyzing the cinema from different perspectives, also the feminine perspective specially roles like the fatale woman in the black cinema. But, it is less usual to employ this way as part of an analytical method from which to extract a social reflection of what the screen projects and, at the same time they help to legitimate as the basis for the future society. Nevertheless, there are few means that are able to reflect the great change happened in the recent history of the Spanish society. This documentary interest increases its potential on having focused in the first plane the women. This article is a contribution to study a field so attractive like the cinema of migrations across the optics of the social imaginary.