AI and Society 28 (2):133-145 (2013)
About 20 years ago, the ecology of media art practices proliferated in two domains: those that attached themselves to high technology labs or companies like Xerox PARC, and those that took advantage of personal computing to form collectives only loosely coupled to academic institutions or disciplines. In this essay, I closely examine the diverse epistemic cultures and diverse technical, political, and generational interests in such “cyber-anarchist” networks. I sketch the economy of knowledge in recent media arts and technology communities of practice in the wake of Open Source. I use as my lens the experience of creating a responsive media space called the TGarden, with a collective that gathered more than 26 artists and engineers from 11 institutions and 7 nations
|Keywords||Art and technology Science and technology studies Media art Autonomous production Responsive environments Open source Knowledge economy|
|Categories||categorize this paper)|
References found in this work BETA
Epistemic Cultures: How the Sciences Make Knowledge.K. Knorr-Cetina - 1999 - Harvard University Press.
Laboratory Life; The Construction of Scientific Facts.Bruno Latour & Steven Woolgar - 1986 - Princeton University Press.
The Mechanization of the Mind: On the Origins of Cognitive Science.Jean-Pierre Dupuy - 2000 - Princeton University Press.
Citations of this work BETA
Beyond Systems: In Search of Poietic Thinking.Karamjit S. Gill - 2015 - AI and Society 30 (2):139-141.
Similar books and articles
States of Knowledge: The Co-Production of Science and Social Order.Sheila Jasanoff (ed.) - 2004 - Routledge.
Diverse Knowledges and Competing Interests: An Essay on Socio-Technical Problem-Solving.Vincent di Norcia - 2002 - Science and Engineering Ethics 8 (1):83-98.
The Media Ecosystem: What Ecology Can Teach Us About Responsible Media Practice.Antonio López - 2012 - Evolver Editions.
The Mainstreamisation of Cultural Diversity: The Corporates, Media and Similarisation of Publics in India.Naveen Mishra - 2012 - Journal for Communication and Culture 2 (2):139-159.
A Bourdieusian Study of the Use of Media by Chinese Public Intellectuals.Jason Gao - 2012 - Journal for Communication and Culture 2 (2):176-192.
Critical Perspectives on Television From the Frankfurt School to Postmodernism.Douglas Kellner - unknown
Knowledges: Historical and Critical Studies in Disciplinarity.Ellen Messer-Davidow, David R. Shumway & David Sylvan (eds.) - 1993 - University Press of Virginia.
Space, Time, and Perversion: Essays on the Politics of Bodies.E. A. Grosz - 1995 - Routledge.
Music and Technology. Virtuality and Metadesign : Sound Art in the Age of Connectivity / Paulo C. Chagas ; "When New Media Was the Big Idea" : Internet and the Rethinking of Pop-Music Languages / Gianni Sibilla ; Mediated Stardom, Constructed Images : The Value and Functioning of Authorship in Popular Music.Laura Ahonen & Home Studio Aesthetics : Tracking Cultural Processes of Popular Music Production - 2006 - In Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.), Music, Meaning and Media. University of Helsinki.
Added to index2012-03-14
Total downloads14 ( #326,278 of 2,151,964 )
Recent downloads (6 months)8 ( #89,484 of 2,151,964 )
How can I increase my downloads?
There are no threads in this forum
Nothing in this forum yet.