Routledge (2006)

Abstract
Often labelled as "indescribable," the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: · The legacy of the earliest, classical theories of the sublime through the romantic to the post-modern and avant-garde sublimity · The major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each · The significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era · How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
Keywords Sublime, The History
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Call number BH301.S7.S53 2006
ISBN(s) 0415268478   9780415268479   1138859648   9781138859647   0415268486   9780415268486
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The Rothko Chapel Paintings and the 'Urgency of the Transcendent Experience'.Wessel Stoker - 2008 - International Journal for Philosophy of Religion 64 (2):89 - 102.
A Medical Sublime.Bradley Lewis - 2020 - Journal of Medical Humanities 41 (3):265-287.

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