Routledge (2006)
Abstract |
Often labelled as "indescribable," the sublime is a term that has been debated for centuries amongst writers, artists, philosophers and theorists. Usually related to ideas of the great, the awe-inspiring and the overpowering, the sublime has become a complex yet crucial concept in many disciplines. Offering historical overviews and explanations, Philip Shaw looks at: · The legacy of the earliest, classical theories of the sublime through the romantic to the post-modern and avant-garde sublimity · The major theorists of the sublime such as Kant, Burke, Lyotard, Derrida, Lacan and Zizek, offering critical introductions to each · The significance of the concept through a range of literary readings including the Old and New testaments, Homer, Milton and writing from the romantic era · How the concept of the sublime has affected other art forms such as painting and film, from abstract expressionism to David Lynch's neo-noir This remarkably clear study of what is, in essence, a term which evades definition, is essential reading for students of literature, critical and cultural theory.
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Keywords | Sublime, The History |
Categories | (categorize this paper) |
Buy this book | $29.95 from Amazon Amazon page |
Call number | BH301.S7.S53 2006 |
ISBN(s) | 0415268478 9780415268479 1138859648 9781138859647 0415268486 9780415268486 |
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Citations of this work BETA
Lo sublime y la reunificación del sujeto a partir del sentimiento: La estética más allá de las restricciones de lo bello.Daniel Omar Scheck - 2013 - Signos Filosóficos 15 (29):103-135.
Sublimity & the Image: A Hermeneutic Phenomenological Exploration.Erika Goble - 2013 - Phenomenology and Practice 7 (1):82-110.
Surfaces of Science Fiction: Enacting Gender and “Humanness” in Ex Machina.Catherine Constable - 2018 - Film-Philosophy 22 (2):281-301.
The Rothko Chapel Paintings and the 'Urgency of the Transcendent Experience'.Wessel Stoker - 2008 - International Journal for Philosophy of Religion 64 (2):89 - 102.
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