Hypatia 5 (2):137 - 148 (1990)
This paper considers some problems with text-centered psychoanalytic and semiotic approaches to film that have dominated feminist film criticism, and develops an alternative contextual approach. I claim that a contextual approach should explore the interaction of film texts with viewers' culturally formed sensibilities and should attempt to render visible the plurality of meaning in art. I argue that the latter approach will allow us to see the virtues of some classical Hollywood films that the former approach has overlooked, and I demonstrate this thesis with an analysis of the film Christopher Strong.
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References found in this work BETA
Visual Pleasure and Narrative Cinema.Laura Mulvey - 2010 - In Marc Furstenau (ed.), The Film Theory Reader: Debates and Arguments. Routledge.
Narration in Light: Studies in Cinematic Point of View.George Wilson - 1989 - Journal of Aesthetics and Art Criticism 47 (3):290-292.
Missing Mothers/Desiring Daughters: Framing the Sight of Women.Naomi Scheman - 1988 - Critical Inquiry 15 (1):62-89.
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