Philosophy Compass 14 (6) (2019)
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Abstract |
This article will introduce readers to current debates in the philosophy of poetry. This includes discussion of the need for a philosophy of poetry as distinct from a philosophy of literature, the (in)compatibility of poetry and philosophy, poetic meaning and interpretation, and poetry in relation to affect, emotion and expressiveness, which opens up discussion of wider forms of poetry from spoken word to signlanguage poetry. The article ends with suggestions for future directions of research in the philosophy of poetry. I argue that as the philosophy of poetry is gaining interest, the previous debates that presuppose an understanding of poetry as taking form on the page and as having fixed aboutness ought to be abandoned in favour of an understanding of a poem in the affective space, with issues of reception, interpretation, distribution, and performance in play.
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Keywords | poetry signlanguage poetic meaning expressiveness spoken word performance |
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DOI | 10.1111/phc3.12593 |
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References found in this work BETA
Mimesis as Make-Believe: On the Foundations of the Representational Arts.Noel Carroll - 1995 - Philosophical Quarterly 45 (178):93-99.
Two Varieties of Literary Imagination: Metaphor, Fiction, and Thought Experiments.Elisabeth Camp - 2009 - Midwest Studies in Philosophy 33 (1):107-130.
Representation and Make-Believe.Alan H. Goldman - 1990 - Inquiry: Critical Thinking Across the Disciplines 36 (3):335 – 350.
Cultivating Intimacy: The Use of the Second Person in Lyric Poetry.Karen Simecek - 2019 - Philosophy and Literature 43 (2):501-518.
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2019-06-27
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2019-06-27
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53 ( #188,078 of 2,409,584 )
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7 ( #102,190 of 2,409,584 )
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