Film-Philosophy 18 (1):50-69 (2014)

Authors
Robert Sinnerbrink
Macquarie University
Abstract
Stanley Cavell's writing on film has been an important inspiration for the recent 'philosophical turn' in film theory. But few studies have explored the significance of Cavell's style of writing, how it communicates his distinctive manner of thinking with film. This article explores Cavell's style as a way of doing philosophy, and suggests that his attempt to capture the aesthetic experience of film in evocative prose makes an important contribution to developing new ways of thinking in film-philosophy
Keywords Cavell, style, aesthetics, film-philosophy
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DOI 10.3366/film.2014.0005
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References found in this work BETA

Philosophy as a Humanistic Discipline.Bernard Williams - 2006 - Princeton: Princeton University Press.
Philosophy as a Humanistic Discipline.Bernard Williams - 2000 - Philosophy 75 (4):477-496.
Contesting Tears: The Hollywood Melodrama of the Unknown Woman.Stanley Cavell - 1998 - Journal of Aesthetics and Art Criticism 56 (1):82-83.
Thinking on Screen: Film as Philosophy by Wartenberg, Thomas E.Matthew Turner - 2009 - Journal of Aesthetics and Art Criticism 67 (4):438-440.

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Citations of this work BETA

Stanley Cavell on the Magic of the Movies.Daniel Shaw - 2017 - Film-Philosophy 21 (1):114-132.
Deleuze and Film’s Philosophical Value.Susana Viegas - 2018 - Kriterion: Journal of Philosophy 59 (139):271-286.

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Cavell on Film.Stanley Cavell - 2005 - State University of New York Press.
New Takes in Film-Philosophy.Havi Carel & Greg Tuck (eds.) - 2011 - Palgrave-Macmillan.
Philosophy Through Film.Christopher Falzon - 2013 - Internet Encyclopedia of Philosophy.
Vertigo and the Spectator of Film Analysis.Andrew Klevan - 2014 - Film-Philosophy 18 (1):147-171.

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