Cavellian Meditations: How to do Things with Film and Philosophy

Film-Philosophy 18 (1):50-69 (2014)
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Abstract

Stanley Cavell's writing on film has been an important inspiration for the recent 'philosophical turn' in film theory. But few studies have explored the significance of Cavell's style of writing, how it communicates his distinctive manner of thinking with film. This article explores Cavell's style as a way of doing philosophy, and suggests that his attempt to capture the aesthetic experience of film in evocative prose makes an important contribution to developing new ways of thinking in film-philosophy

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Robert Sinnerbrink
Macquarie University

Citations of this work

Stanley Cavell on the Magic of the Movies.Daniel Shaw - 2017 - Film-Philosophy 21 (1):114-132.
Deleuze and Film’s Philosophical Value.Susana Viegas - 2018 - Kriterion: Journal of Philosophy 59 (139):271-286.

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References found in this work

Philosophy as a Humanistic Discipline.Bernard Williams - 2006 - Princeton: Princeton University Press.
Philosophy as a Humanistic Discipline.Bernard Williams - 2000 - Philosophy 75 (4):477-496.
Cities of Words: Pedagogical Letters on a Register of the Moral Life.Stanley Cavell - 2005 - Journal of Aesthetics and Art Criticism 63 (2):202-203.
Contesting Tears: The Hollywood Melodrama of the Unknown Woman.Stanley Cavell - 1998 - Journal of Aesthetics and Art Criticism 56 (1):82-83.

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