Practices of Art

In J. C. Nyíri & Barry Smith (eds.), Practical Knowledge: Outlines of a Theory of Traditions and Skills. London: Croom Helm. pp. 172-209 (1988)

Authors
Barry Smith
State University of New York, Buffalo
Abstract
Starting out from the ontology of human work set out by Marx in Das Kapital, the paper seeks to analyse the relations between the artist and his actions and aims, the work of art he produces, and the audience for this work. The paper concludes with a discussion of the problem of creativity in the arts, drawing on ideas of Roman Ingarden and other phenomenologists.
Keywords Marx  Marxist ontology of work  Roman Ingarden  ontology of art
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References found in this work BETA

Truth-Makers.Kevin Mulligan, Peter Simons & Barry Smith - 1984 - Philosophy and Phenomenological Research 44 (3):287-321.
Logic, Form and Matter.Barry Smith & David Murray - 1981 - Aristotelian Society Supplementary Volume 55 (1):47 - 74.

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Citations of this work BETA

Towards a Science of Emerging Media.Barry Smith - 2015 - In J. E. Katz & J. Floyd (eds.), Philosophy of Emerging Media: Understanding, Appreciation and Application. Oxford University Press. pp. 29-48.
A Critical Realist Perspective on Aesthetic Value.Ian Verstegen - 2006 - Journal of Critical Realism 5 (2):323-343.

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Roman Ingarden.Amie Thomasson - 2008 - Stanford Encyclopedia of Philosophy.
The Literary Work of Art.Roman Ingarden - 1973 - Evanston: Northwestern University Press.
An Evaluation of Ingardenian Values.Victor Kocay - 2010 - Polish Journal of Philosophy 4 (2):105-121.
The Ontology of Art.Guy Rohrbaugh - 2013 - In Berys Gaut & Dominic Lopes (eds.), Routledge Companion to Aesthetics, 3rd edition. Routledge. pp. 235-45.

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