Philosophy Compass 4 (1):39-55 (2009)

Authors
Aaron Smuts
Rhode Island College
Abstract
Why do people seemingly want to be scared by movies and feel pity for fictional characters when they avoid situations in real life that arouse these same negative emotions? Although the domain of relevant artworks encompasses far more than just tragedy, the general problem is typically called the paradox of tragedy. The paradox boils down to a simple question: If people avoid pain then why do people want to experience art that is painful? I discuss six popular solutions to the paradox: conversion, control, compensatory, meta-response, catharsis, and rich experience theories.
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DOI 10.1111/j.1747-9991.2008.00199.x
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References found in this work BETA

The Methods of Ethics.Henry Sidgwick - 1871 - Thoemmes Press.
Welfare, Happiness, and Ethics.L. W. Sumner - 1996 - Oxford University Press.

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Citations of this work BETA

Imagination.Shen-yi Liao & Tamar Gendler - 2019 - Stanford Encyclopedia of Philosophy.
Art and Painful Emotion.Matthew Strohl - 2019 - Philosophy Compass 14 (1):e12558.
Imagination.Tamar Szabó Gendler - 2011 - In Edward N. Zalta (ed.), Stanford Encyclopedia of Philosophy. Center for the Study of Language and Information, Stanford University.
The Feels Good Theory of Pleasure.Aaron Smuts - 2011 - Philosophical Studies 155 (2):241-265.

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