Abstract

This paper attempts to show the way in which the Discourse on Method participates in the antitheological launching of the modern project---the securing of a secular paradise by the “universal instrument” of human reason. It is argued that the order of the presentation of the parts of the Discourse conceals the true architectonic order of the Cartesian edifice because the physics of Part Five is more foundational than the metaphysics which seemingly must ground it in Part Four.