Hugo's “Notre Dame De Paris” and Rizal's “Noli Me Tangere”: A Phenomenology of Confluence

The study subjected to scrutiny the context of Rizal’s novel Noli Me Tangere and Hugo’s novel, Notre Dame de Paris in the search for confluence through the two novels’ use of rhetorical devices and imagery. It utilized Kolb’s Experiential Method, Phenomenology, and Interdisciplinary Approach. Primarily, a connection between Hugo and Rizal is established since no studies relating the two writers existed. Gathered evidences proved the historical and biographical connections: the phenomenology of both writers’ existence in the same Romantic milieu, and of Rizal’s diary and bibliographic entries on Hugo. Thereafter, a focus on the two novels’ literary elements by character, setting, point of view, and conflict, as well as theme, confirmed textual confluence. Moreover, Hugolian symbols and rhetorical devices in Noli Me Tangere are conclusive in the establishment of confluence. Furthermore, evaluation of the Notre Dame de Paris as a historical novel, a poetic novel, a novel of ideas, and a dramatic novel are evident in Rizal’s Noli Me Tangere. Finally, a sharp phenomenology of confluence between Victor Hugo’s Notre Dame de Paris and Jose Rizal’s Noli Me Tangere is concluded. Further studies on the novel Noli Me Tangere are recommended to take into account the influence of Victor Hugo. Keywords - Hugo, Rizal, France, Philippines, novel, phenomenology, imagery, criticism
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DOI 10.7718/iamure.ijlpr.v2i1.403
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