Abstract

This essay aims to elucidate the so-called 'qua problem' often invoked in the debate on the interaction between moral and artistic values. The qua problem is currently understood as the failure to establish a direct value interaction. I argue that this way of understanding the qua problem is flawed because it does not make the qua problem a real problem, that is, a problem that makes an interactionist argument unsuccessful in virtue of having the problem. Instead, I propose that the qua problem should be understood as the failure to show that the fact that an artwork is (im)moral (as opposed to other related facts, such as those that ground this fact) explains, whether directly or indirectly, the work’s artistic value (as opposed to being connected to the artistic value in some other way).