Pictorial representation or subjective scenario? Sartre on imagination

Sartre Studies International 7 (2):87-111 (2001)
  Copy   BIBTEX


The major thesis developed in Sartre's L'imaginaire is that all imaginary acts can be subsumed under the heading of one "image family" and, therefore, that imagination as a whole can be theorized in terms of pictorial representation. Yet this theory fails to meet the objective of Sartre's study, to demonstrate that imaginary activity is not a derivative of perception but an attitude with a character and dignity of its own. The subsidiary account of imagination in terms of neutralization of belief has the advantage of not being constrained by the requirement that imaginary activity serve a purely reproductive function of bringing an absent "original" into a quasi presence and, thus, leaves room for free creativity and fiction. It also points to a concrete lived experience of alterity at the heart of subjective life where the subject stages its life as if it were the life of an other, putting pressure onto Sartre's contention that the cogito defines subjectivity.



    Upload a copy of this work     Papers currently archived: 76,363

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library


Added to PP

79 (#155,702)

6 months
1 (#451,398)

Historical graph of downloads
How can I increase my downloads?

Author's Profile

Beata Stawarska
University of Oregon

Citations of this work

Look again: Phenomenology and mental imagery. [REVIEW]Evan Thompson - 2007 - Phenomenology and the Cognitive Sciences 6 (1-2):137-170.
Defining imagination: Sartre between Husserl and Janet.Beata Stawarska - 2005 - Phenomenology and the Cognitive Sciences 4 (2):133-153.
Image and ontology in Merleau-Ponty.Trevor Perri - 2013 - Continental Philosophy Review 46 (1):75-97.

View all 9 citations / Add more citations

References found in this work

No references found.

Add more references