Visual Anthropology Review 32 (2):144-156 (2016)

Authors
Meg Stalcup
University of Ottawa
Abstract
This article analyzes the role of key visual technologies in contemporary media activism in Brazil. Drawing on a range of media formats and sources, it examines how the aesthetic politics of activists in protests that took place in 2013 opened the way for wider sociopolitical change. The forms and practices of the media activists, it is argued, aimed explicitly at producing transformative politics. New media technologies were remediated as a kind of equipment that could generate new relationships and subjectivities, and thereby access to intentionally undetermined futures.
Keywords aesthetics  artivism  Brazil  memes  new media  policing  social movements
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References found in this work BETA

The Subject and Power.Michel Foucault - 1982 - Critical Inquiry 8 (4):777-795.
The Right to the City.David Harvey - 2006 - In Richard Scholar (ed.), Divided Cities: The Oxford Amnesty Lectures 2003. Oxford University Press.
The New Visibility.J. B. Thompson - 2005 - Theory, Culture and Society 22 (6):31-51.
Pedagogy of the Oppressed.Paulo Freire - 1970 - Bloomsbury Academic.

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Citations of this work BETA

You Can’T Kill Marielle.Meg Stalcup & Erika Robb Larkins - 2018 - Metropolitics 29 (5):1-3.

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