Liverpool University Press (2000)

Abstract
Like literature and art, music has "works". But not every piece of music is called a work, and not every musical performance is made up of works. The complexities of this situation are explored in these essays, which examine a broad swathe of western music. From plainsong to the symphony, from Duke Ellington to the Beatles, this is at root an investigation into how our minds parcel up the music that we create and hear.
Keywords Music Philosophy and aesthetics
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Call number ML3800.L69 1998
ISBN(s) 0853238359   9780853238256   0853238251   9780853238355
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