Classical Quarterly 20 (01):81- (1970)

In Part I of his paper Cooper gives indisputable evidence regarding Plato's use of the man-made image as a step to the apprehension of a Form under discussion, whether that image be in fact a diagram or a model, or simply a verbal picture, such as his imaginative account of Justice within a community, which we find used to provide us with in Republic 443 c 4 ff. However, Cooper goes on to assure us that the divided-line figure offers us only three types of object: ‘We have three kinds of objects which differ from one another in clearness and esteem, firstly, the Forms, secondly, the objects of ordinary sense-perception, and thirdly, images, shadows and reflections.’ Now the admitted fact that, as he notes, Republic 10 gives the same three orders of reality, does not entirely absolve Cooper from all the implications of Plato's decision to divide his line into four parts rather than three; for it is made quite clear in 509 b 6–10 that the Form of the Good, is the source of being as well as of knowledge, so the Line must also classify both
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DOI 10.1017/s0009838800044633
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The Cave Revisited.J. Malcolm - 1981 - Classical Quarterly 31 (01):60-.
EikaΣia and πiΣtiΣ in Plato's Cave Allegory.Corinne Praus Sze - 1977 - Classical Quarterly 27 (1):127-138.
Plato’s Cave.T. F. Morris - 2009 - South African Journal of Philosophy 28 (4):415-432.

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