Myth and Music: A Semiotic Approach to the Aesthetics of Myth in Music, Especially That of Wagner, Sibelius and Stravinsky
AbstractPART ONE 1. Introduction The purpose of this investigation is to explore the relations between myth and music. Although this research may be said to have a ...
Similar books and articles
Formalized Music: Thought and Mathematics in Composition.Iannis Xenakis - 1971 - Bloomington: Indiana University Press.
Music, Meaning and Media.Erkki Pekkilä, David Neumeyer & Richard Littlefield (eds.) - 2006 - University of Helsinki.
Bridge of Waves: What Music is and How Listening to It Changes the World.W. A. Mathieu - 2010 - Shambhala.
Musical Semiotics in Growth.Eero Tarasti, Paul Forsell & Richard Littlefield (eds.) - 1996 - International Semiotics Institute.
The Quest for Voice: On Music, Politics, and the Limits of Philosophy: The 1997 Ernest Bloch Lectures.Lydia Goehr - 1998 - Oxford University Press.
Music Forms: Superphysical Effects of Music Clairvoyantly Observed.Geoffrey Hodson - 1976 - Theosophical Pub. House.
Added to PP
Historical graph of downloads
Citations of this work
A. J. Greimas in the World: Travels, Translations, Transmissions.Thomas F. Broden - 2021 - Semiotica 2021 (243):187-228.
References found in this work
No references found.