This essay traces the trajectory of Gadamer’s retrieval of mimesis by reconstructing his interpretation of Aristotle’s Poetics. Mimesis names the transformationthat takes place when the work constitutes a structure that offers a presentation in which the spectator participates. The reconstructiontreats Gadamer’s interpretation of mythos, mimesis, and katharsis as he appropriates them to his understanding of the work as a “transformation into structure” which is a “transformation into the true” that effects a self-transformation in the spectator. By transforming mimesis Gadamer retrieves this ancient concept for the hermeneutic understanding of the work of art as an event of being
Keywords Ancient Philosophy  Continental Philosophy  History of Philosophy
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ISBN(s) 1085-1968
DOI 10.5840/epoche200813120
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