Abstract

The prevailing anti-authorial trend in contemporary mainstream literary theory and aesthetic anti-intentionalism produces different versions of "the death of the author" concept. Conversely, different forms of intentionalism in the analytic tradition strongly defend the relevance of authorial intentions. Although I agree with classic intentionalism on some key points, I find it untenable to believe that the meaning of a literary work is wholly dependent on the intentions of its creator. Rather I consider authorial meaning as one variety of literary meaning. My explanation of the part the author plays in literary understanding is consistent with Anders Pettersson's theory.