Bridging two worlds that care about art: Psychological and historical approaches to art appreciation

Behavioral and Brain Sciences 36 (2):159-160 (2013)

Abstract
Art appreciation often involves contemplation beyond immediate perceptual experience. However, there are challenges to incorporating such processes into a comprehensive theory of art appreciation. Can appreciation be captured in the responses to individual artworks? Can all forms of contemplation be defined? What properties of artworks trigger contemplation? We argue that such questions are fundamental to a psycho-historical framework for the science of art appreciation, and we suggest research that may assist in refining this framework
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DOI 10.1017/s0140525x1200180x
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References found in this work BETA

Emotion and Meaning in Music.Leonard B. Meyer - 1957 - Journal of Aesthetics and Art Criticism 16 (2):285-286.

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Citations of this work BETA

When Critics Disagree: Prospects for Realism in Aesthetics.S. Ross - 2014 - Philosophical Quarterly 64 (257):590-618.

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