Journal of Aesthetics and Art Criticism 63 (3):221–229 (2005)

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Amie Thomasson
Dartmouth College
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DOI 10.1111/j.0021-8529.2005.00202.x
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References found in this work BETA

Categories of Art.Kendall L. Walton - 1970 - Philosophical Review 79 (3):334-367.
Realism and Human Kinds.Amie L. Thomasson - 2003 - Philosophy and Phenomenological Research 67 (3):580–609.
On Artifacts and Works of Art.Risto Hilpinen - 1992 - Theoria 58 (1):58-82.
The Ontology of Art.Amie L. Thomasson - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell. pp. 78-92.

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Citations of this work BETA

Software is an Abstract Artifact.Nurbay Irmak - 2012 - Grazer Philosophische Studien 86 (1):55-72.
Descriptivism and Its Discontents.David Davies - 2017 - Journal of Aesthetics and Art Criticism 75 (2):117-129.

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Ontological Innovation in Art.Amie L. Thomasson - 2010 - Journal of Aesthetics and Art Criticism 68 (2):119-130.
Ingarden and the Ontology of Cultural Objects.Amie Thomasson - 2005 - In Arkadiusz Chrudzimski (ed.), Existence, Culture, and Persons: The Ontology of Roman Ingarden. Frankfurt: pp. 115-136.
Collingwood's ‘Performance’ Theory of Art.David Davies - 2008 - British Journal of Aesthetics 48 (2):162-174.
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Art, Self and Knowledge.Keith Lehrer - 2011 - Oxford University Press.
The Ontology of Art.Amie L. Thomasson - 2004 - In Peter Kivy (ed.), The Blackwell Guide to Aesthetics. Blackwell. pp. 78-92.

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