Grazer Philosophische Studien 38 (1):139-156 (1990)
Abstract |
The paper criticizes Platonistic accounts of musical works as sound-structures. It rejects their view that the authoring of such works is a kind of 'discovery' (Kivy) or 'selection' (Wolterstorff) or 'indication' (Levinson). Instead, the paper proposes that the authoring of any work for performance consists in the production of a token performance-directive. Works for performance are then defined as the contents of such directives
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Keywords | Analytic Philosophy |
Categories | (categorize this paper) |
ISBN(s) | 0165-9227 |
DOI | 10.5840/gps1990387 |
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