A difference that makes a difference: Passing through Dennett's stalinesque/orwellian impasse

Abstract
visual masking provides a clear illustration that ‘there is really only a verbal difference’ between two versions of the Cartesian Theater model of the mind. This alleged lack of a distinction is both the crucial premise of their main argument against the Cartesian Theater and a motivator for accepting their own Multiple Drafts model. I argue that metacontrast reveals a difference between the two versions of the Cartesian Theater that meets criteria found in (Dennett and Kinsbourne [1992]) for determining such a difference. This difference undermines the soundness of their argument against the Cartesian Theater, and exerts pressure on Dennett and Kinsbourne to offer a more detailed articulation of their model. Introduction Brief Explanation of Metacontrast Backward Visual Masking The Stalinesque and Orwellian Models of Metacontrast 3.1 Criteria for determining a difference A Difference That Makes a Difference 4.1 Skeptical hypothesis objection Other Objections and Replies 5.1 Straw person objection 5.2 Corroborative issues objection Conclusion CiteULike Connotea Del.icio.us What's this?
Keywords Dennett  masking  metacontrast  consciousness  Stalinesque / Orwellian  Cartesian Theater
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DOI 10.1093/bjps/axp023
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References found in this work BETA
On a Confusion About a Function of Consciousness.Ned Block - 1995 - Brain and Behavioral Sciences 18 (2):227-–247.
Time and the Observer.Daniel C. Dennett & Kinsbourne Marcel - 1992 - Behavioral and Brain Sciences 15 (2):183-201.
Begging the Question Against Phenomenal Consciousness.Ned Block - 1992 - Behavioral and Brain Sciences 15 (2):205-206.

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