Abstract

This peer-reviewed essay is an intervention into the emerging field of 'Speculative Realism', which has links to the field of Speculative Aesthetics. The work is essentially an attempt to develop a theory of perception that is not at odds with the scientific worldview. In this respect, the dominant views of aesthetic perception are critiqued in favour of neurophilosophical views stemming from Thomas Metzinger. In order to position myself, I go on to analyse the fiction of Thomas Ligotti to develop the idea of a non-human-centric phenomenal experience. This work operates within several philosophical contexts: one is the debate between phenomenology and scientific realism, of which the developing field of Speculative Realism is a part, and upon which the journal Collapse has been incredibly influential; a further context is that of transcendental materialism; another is that of the relationship between literature and philosophy. The article marks a departure within these fields by suggesting that recent developments in cognitive science can be understood not through a naïve scientism or a kind of brute materialism, but only through understanding the transcendental ramifications to the phenomenal experience of the human.