Music and metaphysics

Metaphilosophy 39 (1):124–143 (2008)
Abstract
In this article, I assume that musical works are abstract types, and I raise and address a new question concerning musical ontology that may take the types view at least a step further: When do musical works cease to exist? I then propound my view about musical works as types, which is somewhat like the Aristotelian Realist position concerning universals. Next, I address some objections to that view. Finally, I provide some grounds for rejecting alternative views that see Western classical musical works before 1950 (the sorts of musical works the discussion here is restricted to) either as classes or else as kinds.
Keywords types  metaphysics  Wollheim  Platonism  universals  Goodman  existence  ontology  music  Levinson  Wolterstorff  classes  Aristotelian Realism  kinds
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DOI 10.1111/j.1467-9973.2008.00524.x
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References found in this work BETA
Languages of Art.Nelson Goodman - 1968 - Bobbs-Merrill.
Works and Worlds of Art.Nicholas Wolterstorff - 1980 - Oxford University Press.

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