Pictorial depth: Intensity and aesthetic surface [Book Review]

Axiomathes 15 (1):1-28 (2005)
Philosophers seldom ask questions regarding how certain phenomena occur, because such questions tend to be the province of the sciences or of technology. However, the question how pictures have depth requires philosophical reflection because it takes place on the surface of pictorial objects and involves both physical and phenomenal, i.e. aesthetic, features of those surfaces. This essay examines how pictures have depth by first separating the aesthetic question from interpretive considerations, and thereby refining the question how pictures have depth. Next it explicates two sorts of conceptual tools required to understand the question: several complex concepts needed to understand surfaces, and the concept of intensity. These are then used to understand how pictures can have depth by showing how intensities produce both an aesthetic surface and depth within it.
Keywords aesthesis  depth  intensity  surfaces  ontology
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DOI 10.1007/s10516-004-4905-8
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References found in this work BETA
Critique of Pure Reason.Immanuel Kant - 1991 - In Elizabeth Schmidt Radcliffe, Richard McCarty, Fritz Allhoff & Anand Vaidya (eds.), Philosophy and Phenomenological Research. Blackwell. pp. 449-451.
Principles of Mathematics.Bertrand Russell - 1903 - Cambridge University Press.
Critique of Pure Reason.I. Kant - 1787/1998 - Philosophy 59 (230):555-557.

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