Research in Phenomenology 43 (3):462-474 (2013)

Alejandro Vallega
University of Oregon
Paul Klee’s sense of modern art and his own painting as the channeling of the originary movement of life leads to an insight beyond modern art, and back towards such dynamic cosmological experiences as that of the Onas people of Patagonia. In their daily life and their rituals their painted bodies expressed the living force of their cosmos, an originary energy that occurred at the limit of what one may call art and nature. In engaging Klee’s painting and drawing, one is brought to such an open space of living transformative movement; one finds a place wider than our present imagination, a time-space that in our being exposed to his works and experience remains for us to inhabit.
Keywords temporality   Modern art   polyphonic painting   originary painting   Onas   Selk’nam   movement
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DOI 10.1163/15691640-12341270
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