Andreas Vrahimis
University of Cyprus
Wittgenstein’s and Heidegger’s objections against the possibility of a science of aesthetics were influential on different sides of the analytic/continental divide. Heidegger’s anti-scientism leads him to an alētheic view of artworks which precedes and exceeds any possible aesthetic reduction. Wittgenstein also rejects the relevance of causal explanations, psychological or physiological, to aesthetic questions. The main aim of this paper is to compare Heidegger with Wittgenstein, showing that: there are significant parallels to be drawn between Wittgenstein’s and Heidegger’s anti-scientism about aesthetics, and that their anti-scientism leads both towards partly divergent criticisms of what I will call ‘aestheticism’. The divergence is mainly due to a broader metaphilosophical disagreement concerning appeals to ordinary language. Thus situating the two philosophers’ positions facilitates a possible critical dialogue between analytic and continental approaches in aesthetics.
Keywords Wittgenstein  Heidegger  Brentano  Nietzsche  scientism  psychologism
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DOI 10.33134/eeja.29
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References found in this work BETA

Introduction to Metaphysics.Martin Heidegger - 2014 - Yale University Press.
Heidegger, Art, and the Overcoming of Metaphysics.Matt Dill - 2017 - European Journal of Philosophy 25 (2):294-311.
What is It to Depsychologize Psychology?Stina Bäckström - 2017 - European Journal of Philosophy 25 (2):358-375.

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Citations of this work BETA

Portraits, Facial Perception, and Aspect-Seeing.Andreas Vrahimis - 2022 - British Journal of Aesthetics 62 (1):85–100.

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