Abstract

This study aims to show the socio-cognitive engineering of the pickpocket craft from the point of view of cognitive ecology. Being a pickpocket has a wider, existential status; studying it goes beyond the field of cognitive sciences. My ambitions are more modest: I try to show that the question about what it is like to be someone like a pickpocket is also a question about the cognitive structure of his or her activity space. In this light, I analyze some aspects of the reality presented in the movie Pickpocket by Robert Bresson. From the ecological point of view, scenes from the old movie present pickpocketing techniques in the context of the opportunities and constraints of a given environment. I claim that studies like this require integrating certain conceptual tools, like distributed cognition approach, ecological psychology, and cognitive studies of design.