Topoi 33 (1):215-226 (2014)

Philip Walsh
University of California, Irvine (PhD)
This paper presents an account of empathy as the form of experience directed at embodied unities of expressive movement. After outlining the key differences between simulation theory and the phenomenological approach to empathy, the paper argues that while the phenomenological approach is closer to respecting a necessary constitutional asymmetry between first-personal and second-personal senses of embodiment, it still presupposes a general concept of embodiment that ends up being problematic. A different account is proposed that is neutral on the explanatory role of the first-person sense of embodiment, which leads to an emphasis on the transformative nature of empathy and a broadening of the scope of possible targets of empathic awareness.
Keywords Empathy  Embodiment  Expression  Phenomenology  Simulation theory  Resonance
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DOI 10.1007/s11245-013-9201-z
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References found in this work BETA

Phenomenology of Perception.Maurice Merleau-Ponty - 1962 - Atlantic Highlands, New Jersey: The Humanities Press.

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Citations of this work BETA

Intercorporeity and the First-Person Plural in Merleau-Ponty.Philip J. Walsh - 2020 - Continental Philosophy Review 53 (1):21-47.
Empathy and the Melodic Unity of the Other.Joona Taipale - 2015 - Human Studies 38 (4):463-479.
Sympathetic Respect, Respectful Sympathy.John Drummond - forthcoming - Ethical Theory and Moral Practice:1-15.

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