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Photography and Philosophy: Essays on the Pencil of Nature
Scott Walden (ed.)
Wiley-Blackwell (2010)
Abstract
Unlike the numerous texts devoted to the subject of Film Theory, this collection contains essays specifically about the art form of Still Photography and the ...Other Versions
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Photography and Philosophy: Essays on the Pencil of Nature edited by walden, scott.Zed Adams - 2010 - Journal of Aesthetics and Art Criticism 68 (3):319-320.
Scott Walden , Photography and Philosophy: Essays on the Pencil of Nature, Wiley-Blackwell, 2008, p. 325 [Polish edition: Fotografia i filozofia. Szkice o pędzlu natury, trans. Izabela Zwiech, Cracow: Universitas, 2013, p. 380]. [REVIEW]Marta Agata Chojnacka - 2017 - Ruch Filozoficzny 72 (4):155.
Review of Scott Walden (ed.), Photography and Philosophy: Essays on the Pencil of Nature. [REVIEW]John Andrew Fisher - 2009 - Notre Dame Philosophical Reviews 2009 (2).
True Appreciation.Dominic McIver Lopes - 2010 - In Scott Walden, Photography and Philosophy: Essays on the Pencil of Nature. Wiley-Blackwell. pp. 210–231.
Photographs as evidence.Aaron Meskin & Jonathan Cohen - 2010 - In Scott Walden, Photography and Philosophy: Essays on the Pencil of Nature. Wiley-Blackwell.
Bergson and the art of immanence: painting, photography, film.John Ó Maoilearca & Charlotte De Mille (eds.) - 2013 - Edinburgh: Edinburgh University Press.
Truth and Photography: Notes on Looking and Photographing.Jerry L. Thompson - 2003 - Ivan R. Dee Publisher.
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Citations of this work
Deepfakes, shallow epistemic graves: On the epistemic robustness of photography and videos in the era of deepfakes.Paloma Atencia-Linares & Marc Artiga - 2022 - Synthese 200 (6):1–22.
Photographic Evidence and the Problem of Theory-Ladenness.Nicola Mößner - 2013 - Journal for General Philosophy of Science / Zeitschrift für Allgemeine Wissenschaftstheorie 44 (1):111–125.
Photography.Dawn M. Wilson - 2013 - In Berys Gaut & Dominic Lopes, The Routledge Companion to Aesthetics Third Edition. Routledge. pp. 585-595.
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