Four orders of human subjectivity as determined by body technique, technology, and objectification

Abstract

The influence technology has on human subjectivity has been the occupation of philosophy for some time. Recent technological advance has re-motivated the speculation on subjectivity where a bodily dimension of subjectivity becomes necessary to understand the complexities of subjectivity as it is formulated in contemporary society. In this thesis subjectivity has been schematized according to its states relative to the body to demonstrate how technology and its mythologies influences and define individual subjectivity and the larger constructive factors that shape that subjectivity. Various examples are used to show the contemporary postmodern response to technological subjective imposition as subjectivity both negotiates and responds to the four orders of subjectivity: dormant, active, material, and terminal. As shall be demonstrated, each subjective form is constituted by a series of technologies and mythologies that form a reciprocal and continuous pattern illustrated by individual, cultural, bodily, and communicative models.

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References found in this work

Francis Bacon: The Logic of Sensation.Gilles Deleuze - 2005 - Journal of Aesthetics and Art Criticism 63 (4):392-394.
The transparent society.Gianni Vattimo - 1992 - Baltimore: Johns Hopkins University Press.
Basic writings of Nietzsche.Friedrich Wilhelm Nietzsche - 1968 - New York: Modern Library. Edited by Walter Arnold Kaufmann.

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