In Margit Ruffing, Claudio La Rocca, Alfredo Ferrarin & Stefano Bacin (eds.), Kant Und Die Philosophie in Weltbürgerlicher Absicht: Akten des Xi. Kant-Kongresses 2010. De Gruyter. pp. 627-638 (2013)

Alistair Welchman
University of Texas at San Antonio
Much has been written about Schopenhauer’s use of Kant’s aesthetics as well as Schopenhauer’s adherence to and departures from Kant’s theoretical philosophy, not least by Schopenhauer himself. The hypothesis I propose in this paper combines these two research trajectories in a novel way: I wish to argue that Schopenhauer’s main theoretical innovation, the doctrine of the will, can be regarded as the development of an aspect of Kant’s aesthetic theory, specifically that the intransitive, goalless striving of the will in Schopenhauer is the intellectual air to Kant's understanding of the mental processes required for the appreciation of beauty as 'conforming to law without a law'.
Keywords Aesthetics  Kant  Schopenhauer  Critique of Judgment
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DOI 10.1515/9783110246490.4487
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