Modern Schoolman 89 (3/4):181-188 (2012)

Thomas Williams
University of South Florida
Anselm had a particular interest in the art of painting. He saw a close analogy between physical beauty and rational beauty. Both can be represented—physical beauty by paintings, rational beauty through discourse—and Anselm was especially attentive to the possibility of misrepresentation. Deceptive rhetorical coloring can mislead; unworthy discourse can obscure the truth’s inherent beauty. Yet even when discourse does justice to the beauty it is intended to represent, Anselm places strict limits on the appeal to beauty. For beauty by itself is not reliably persuasive. To one who is already persuaded, however, an appreciation of the rational beauty of the truth strengthens understanding, giving the believer a first-hand feel for the truth that is unmediated by argument. Just as Anselm says Credo ut intelligam, I believe in order that I might understand, so too he could say Credo ut mirer, I believe in order that I might be awe-struck
Keywords Catholic Tradition  History of Philosophy  Philosophy and Religion
Categories (categorize this paper)
ISBN(s) 0026-8402
DOI 10.5840/schoolman2012893/412
Edit this record
Mark as duplicate
Export citation
Find it on Scholar
Request removal from index
Revision history

Download options

PhilArchive copy

Upload a copy of this paper     Check publisher's policy     Papers currently archived: 64,262
Through your library

References found in this work BETA

No references found.

Add more references

Citations of this work BETA

No citations found.

Add more citations

Similar books and articles


Added to PP index

Total views
123 ( #88,181 of 2,455,615 )

Recent downloads (6 months)
1 ( #449,205 of 2,455,615 )

How can I increase my downloads?


My notes