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Abstract
Self-portrait photography presents an elucidatory range of cases for investigating the relationship between automatism and artistic agency in photography— a relationship that is seen as a problem in the philosophy of art. I discuss self-portraits by photographers who examine and portray their own identities as artists working in the medium of photography. I argue that the automatism inherent in the production of a photograph has made it possible for artists to extend the tradition of self-portraiture in a way that is radically different from previous visual arts. In Section I, I explain why self-portraiture offers a way to address the apparent conflict between automatism and agency that is debated in the philosophy of art. In Section II, I explain why mirrors play an important function in the production of a traditional self-portrait. In Sections III and IV, I discuss how photographers may create self-portraits with and without the use of mirrors to show how photography offers unique and important new forms of self-portraiture.
Keywords Photography  Self-portrait  Visual art
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DOI 10.1111/j.1540-6245.2011.01498.x
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Portraits, Facial Perception, and Aspect-Seeing.Andreas Vrahimis - 2022 - British Journal of Aesthetics 62 (1):85–100.
Aesthetic Opacity.Emanuele Arielli - 2017 - Proceedings of the European Society for Aesthetics.

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