Derrida Today 9 (2):139-156 (2016)

David A. Wills
Open University (UK)
‘Postcardlogbook’ is the “travel diary” of a rereading of Derrida's ‘Envois’ more than thirty years after its publication. It was penned during and after a period of research into the 1974–75 ‘La vie la mort’ seminar, undertaken at the University of California, Irvine, and mimics Derrida's own transatlantic voyages that provided the context for his text. My article borrows a series of formal devices that attempt to maintain it as a peripheral reading of the ‘Envois’. Notably, it refrains from quoting directly from the text or from entering into its substance. It nevertheless addresses, however indirectly, the intellectual climate in Paris at the time the ‘Envois’ were written, and draws comparisons with the current scene, with the current status of Derrida's work, and with problems of a more or less post-literary age.
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DOI 10.3366/drt.2016.0130
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References found in this work BETA

The Animal That Therefore I Am.Jacques Derrida & David Wills - 2002 - Critical Inquiry 28 (2):369-418.
The Truth in Painting.John C. Gilmour - 1988 - Journal of Aesthetics and Art Criticism 46 (4):519-521.
Saving the Text: Literature/Derrida/Philosophy.Geoffrey H. Hartman - 1982 - Philosophy and Rhetoric 15 (4):274-277.

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