Journal of Aesthetics and Art Criticism 74 (3):279-289 (2016)
Authors |
|
Abstract |
In Mimesis as Make-Believe, Kendall Walton gave a pioneering account of the nature of fictionality, which holds that what it is for p to be fictional is for there to exist a prescription to imagine that p. But Walton has recently distanced himself from his original analysis and now holds that prescriptions to imagine are merely necessary conditions on fictionality. Many of the alleged counterexamples that have prompted Walton's retreat are drawn from the field of photography, and it is upon these cases that I focus. I argue that once Walton's analysis is properly articulated, we can accommodate the apparent counterexamples by paying careful attention both to the general features of the photographic medium and the specific features of the photographs in question.
|
Keywords | Truth in Fiction Photography Depiction |
Categories | (categorize this paper) |
DOI | 10.1111/jaac.12284 |
Options |
![]() ![]() ![]() ![]() |
Download options
References found in this work BETA
Transparent Pictures: On the Nature of Photographic Realism.Kendall L. Walton - 1984 - Critical Inquiry 11 (2):246-277.
The Puzzle of Imaginative Desire.Amy Kind - 2011 - Australasian Journal of Philosophy 89 (3):421-439.
Wanting Things You Don't Want: The Case for an Imaginative Analogue of Desire.Tyler Doggett & Andy Egan - 2007 - Philosophers' Imprint 7:1-17.
On the Epistemic Value of Photographs.Jonathan Cohen & Aaron Meskin - 2004 - Journal of Aesthetics and Art Criticism 62 (2):197–210.
View all 12 references / Add more references
Citations of this work BETA
Normative Fiction‐Making and the World of the Fiction.Manuel García-Carpintero - 2019 - Journal of Aesthetics and Art Criticism 77 (3):267-279.
The Cognitive Role of Fictionality.J. Robert G. Williams & Richard Woodward - forthcoming - Wiley: Philosophy and Phenomenological Research.
Fictionality and Imagination, Revisited.Lee Walters - 2017 - Journal of Aesthetics and Art Criticism 75 (1):15-21.
Similar books and articles
Talbot's Technologies: Photographic Depiction, Detection, and Reproduction.Patrick Maynard - 1989 - Journal of Aesthetics and Art Criticism 47 (3):263-276.
Depictive Traces: On the Phenomenology of Photography.Mikael Pettersson - 2011 - Journal of Aesthetics and Art Criticism 69 (2):185-196.
The Limits of Photography.Jiri Benovsky - 2014 - International Journal of Philosophical Studies 22 (5):716-733.
Conceptual, Postconceptual, Nonconceptual: Photography and the Depictive Arts.Jeff Wall - 2012 - Critical Inquiry 38 (4):694-704.
Fiction, Fiction-Making, and Styles of Fictionality.Kendall L. Walton - 1983 - Philosophy and Literature 7 (1):78-88.
Between Amateur and Aesthete the Legitimization of Photography as Art in America, 1880-1900.Paul Spencer Sternberger - 2001
The Grin of Schrödinger's Cat; Quantum Photography and the Limits of Representation.Daniel Rubinstein - 2013 - In Daniel Rubinstein, Johnny Golding & Andy Fisher (eds.), On the Verge of Photography: Imaging Beyond Representation. ARTicle Press. pp. 33-49.
The Image in Dispute: Art and Cinema in the Age of Photography.Dudley Andrew - 1997 - University of Texas Press.
Shot in the Dark: Notes on Photography, Causality, and Content.Mikael Pettersson - 2012 - Philosophical Quarterly 62 (249):759-776.
Analytics
Added to PP index
2016-01-25
Total views
72 ( #161,449 of 2,518,143 )
Recent downloads (6 months)
2 ( #272,129 of 2,518,143 )
2016-01-25
Total views
72 ( #161,449 of 2,518,143 )
Recent downloads (6 months)
2 ( #272,129 of 2,518,143 )
How can I increase my downloads?
Downloads