The Sublime in Schopenhauer’s Philosophy

British Journal of Aesthetics 57 (2):239-244 (2017)

Abstract
© British Society of Aesthetics 2017. Published by Oxford University Press on behalf of the British Society of Aesthetics. All rights reserved. For Permissions, please email: journals.permissions@oup.comBefore even opening the pages of Bart Vandenabeele’s The Sublime in Schopenhauer’s Philosophy, it is an encouraging sight to behold. For, there are surprisingly few single-author monographs focused solely on Schopenhauer’s aesthetic philosophy, at least in the Anglophone literature—much less on Schopenhauer’s theory of the sublime in particular, as is rightfully boasted in the blurb to Vandenabeele’s book. The paucity of such books is all the more surprising given, first, that Schopenhauer is often noted as having continuously exerted an influence upon artists and writers from the time of his own life up to the present day; and second, and more relevantly to Vandenabeele’s book, that few philosophers have held aesthetic experience, of nature as well as art, in any higher regard...
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DOI 10.1093/aesthj/ayw037
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