Journal of Hellenic Studies 130:165-184 (2010)

This article examines the place of tragic poetry within the early history and development of ancient literary criticism. It concentrates on Euripides, both because his works contain many more literary-critical reflections than those of the other tragedians and because he has been thought to possess an unusually 'critical' outlook. Euripidean characters and choruses talk about such matters as poetic skill and inspiration, the social function of poetry, contexts for performance, literary and rhetorical culture, and novelty as an implied criterion for judging literary excellence. It is argued that the implied view of literature which emerges from Euripidean tragedy is both coherent and conventional. As a critic, Euripides, far from being a radical or aggressively modern figure (as he is often portrayed), is in fact distinctly conservative, looking back in every respect to the earlier Greek poetic tradition
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DOI 10.1017/s0075426910000066
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References found in this work BETA

The Sophistic Movement.Rosamond Kent Sprague & G. B. Kerferd - 1983 - Journal of Hellenic Studies 103 (1):189-190.
Poetic Inspiration in Early Greece.Penelope Murray - 1981 - Journal of Hellenic Studies 101:87-100.
Homeric Soundings: The Shaping of the Iliad.William F. Wyatt & O. Taplin - 1994 - Journal of Hellenic Studies 114:180-180.
The Poetics of Greek Tragedy.Stephen Halliwell & M. Heath - 1989 - Journal of Hellenic Studies 109:231-231.

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