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Art, authenticity and appropriation
Frontiers of Philosophy in China 1 (3):455-476 (2006)
Abstract
It is often suggested that artists from one culture (outsiders) cannot successfully employ styles, stories, motifs and other artistic content developed in the context of another culture. I call this suggestion the aesthetic handicap thesis and argue against it. Cultural appropriation can result in works of high aesthetic valueAuthor's Profile
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Similar books and articles
The Aesthetics of Cultural Appropriation.James O. Young - 2008 - In Cultural Appropriation and the Arts. Wiley-Blackwell. pp. 32–62.
What is Cultural Appropriation?James O. Young - 2008 - In Cultural Appropriation and the Arts. Wiley-Blackwell. pp. 1–31.
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Cultural Appropriation as Assault.James O. Young - 2008 - In Cultural Appropriation and the Arts. Wiley-Blackwell. pp. 106–128.
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Review: The Ethics of Cultural Appropriation edited by young, james o. and conrad brunk. [REVIEW]Jenn Neilson - 2010 - Journal of Aesthetics and Art Criticism 68 (4):422-424.
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Citations of this work
Cultural appropriation and aesthetic normativity.Phyllis Pearson - 2020 - Philosophical Studies 178 (4):1285-1299.
Art and Cultural Heritage: An ASA Curriculum Diversification Guide.Erich Hatala Matthes - 2017 - American Society for Aesthetics, Curriculum Diversification Guides.
References found in this work
Languages of Art: An Approach to a Theory of Symbols.Nelson Goodman - 1968 - Indianapolis,: Bobbs-Merrill.
Authenticities: Philosophical Reflections on Musical Performance.Peter Kivy - 1995 - Cornell University Press.
Profound offense and cultural appropriation.James O. Young - 2005 - Journal of Aesthetics and Art Criticism 63 (2):135–146.
Race, ethnicity, expressive authenticity: Can white people sing the blues?Joel Rudinow - 1994 - Journal of Aesthetics and Art Criticism 52 (1):127-137.
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