In Laura Cull (ed.), Deleuze and Performance. Edinburgh University Press. pp. 109--25 (2009)

Abstract
This chapter examines the relevance of the thoughts of Gilles Deleuze to the works of Allan Kaprow and Adrian Piper. It argues that Kaprow had made a shift akin to Deleuze's move from expressionism to constructivism and addresses the politics of Kaprow's practice in relation to Deleuze's concept of counter-actualisation. It describes the alternative of Piper's practice as one that creates performance events capable of catalysing new social territories in and as life.
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DOI 10.3366/edinburgh/9780748635030.003.0006
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