Quaint Paint

Abstract

Hecky is a strange character, a mixture between an elephant and a squirrel, but with distinctly human features, including the gifts of speaking (English) and painting, and some supernatural powers. He once painted an enormous brick bridge leading halfway across a canyon near where his archenemy lives. Hence the following sentence clearly expresses a truth

Categories

Keywords

Reprint years

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 91,349

External links

  • This entry has no external links. Add one.
Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

  • Only published works are available at libraries.

My notes

Similar books and articles

Remarks on denominal verbs.Paul Kiparsky - manuscript
Intention, meaning, and substance in the phenomenology of abstract painting.Dale Jacquette - 2006 - British Journal of Aesthetics 46 (1):38-58.
The ethics of research on less expensive, less effective interventions: A case for analysis. [REVIEW]Merle Spriggs - 2008 - Journal of Bioethical Inquiry 5 (4):295-302.
Semantics, Predication, Truth and Falsehood in Plato's Sophist.Raul Corazzon - unknown
Painting an Experience: Las Meninas, Consciousness and the Aesthetic Mode.Ron Chrisley - 2008 - Journal of Consciousness Studies 15 (9):40-45.
Quaint philosophy of a physician.James Harvey Cleaver - 1929 - Los Angeles, Calif.,: Wetzel publishing co..
The violence of paint.Stephen Mulhall - 2008 - Inquiry: An Interdisciplinary Journal of Philosophy 51 (6):645 – 660.
Teaching children to paint.B. L. Curtis - 1972 - British Journal of Aesthetics 12 (1):64-78.
How to paint a fugue.Peter Vergo - 2011 - In Charlotte De Mille (ed.), Music and Modernism, C. 1849-1950. Cambridge Scholars Press.
Philosophical Poems in Paint and Marble: Letters From Italy.A. V. Lunacharskii - 1966 - Russian Studies in Philosophy 4 (4):15-29.
Color.Jonathan Cohen - 2009 - In Sarah Robins, John Francis Symons & Paco Calvo (eds.), The Routledge Companion to Philosophy of Psychology. New York, NY: Routledge.
To paint the invisible.Luce Irigaray - 2004 - Continental Philosophy Review 37 (4):389-405.
Painting with impasto: Metaphors, mirrors, and reflective regression in Montaigne's “of the education of children”.Virginia Worley - 2012 - Educational Theory 62 (3):343-370.

Analytics

Added to PP
2010-11-23

Downloads
29 (#536,973)

6 months
1 (#1,510,037)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Monotonicity in opaque verbs.Thomas Ede Zimmermann - 2006 - Linguistics and Philosophy 29 (6):715 - 761.

Add more citations

References found in this work

No references found.

Add more references