In the last century there were philosophers who argued that nothing exists but ideas. In our century there are people who write as if there were nothing but texts. These people, whom I shall call “textualists,” include for example, the so-called Yale school of literary criticism centering around Harold Bloom, Geoffrey Hartmann, and Paul De Man, “post-structuralist” French thinkers like Jacques Derrida and Michel Foucault, historians like Hayden White, and social scientists like Paul Rabinow. Some of these people take their (...) point of departure from Heidegger, but usually the influence of philosophers is relatively remote. The center of gravity of the intellectual movement in which these people figure is not philosophy, but literary criticism. In this paper I want to discuss some similarities and differences between this movement and nineteenth-century idealism. (shrink)

In this acclaimed work, first published in 1986, world-renowned scholar Arthur C. Danto explored the inextricably linked but often misunderstood relationship between art and philosophy. In light of the book's impact--especially the essay "The End of Art," which dramatically announced that art ended in the 1960s--this enhanced edition includes a foreword by Jonathan Gilmore that discusses how scholarship has changed in response to it. Complete with a new bibliography of work on and influenced by Danto's ideas, _The Philosophical Disenfranchisement of (...) Art_ continues to be of interest to anyone who thinks seriously about art, as well as to philosophers, aestheticians, and art historians. (shrink)

The end of human history is an event that has been foreseen or announced by both messianics and dialecticians. But who is the protagonist of that history that is coming—or has come—to a close? What is man? How did he come on the scene? And how has he maintained his privileged place as the master of, or first among, the animals? In The Open, contemporary Italian philosopher Giorgio Agamben considers the ways in which the “human” has been thought of as (...) either a distinct and superior type of animal, or a kind of being that is essentially different from animal altogether. In an argument that ranges from ancient Greek, Christian, and Jewish texts to twentieth-century thinkers such as Heidegger, Benjamin, and Kojève, Agamben examines the ways in which the distinction between man and animal has been manufactured by the logical presuppositions of Western thought, and he investigates the profound implications that the man/animal distinction has had for disciplines as seemingly disparate as philosophy, law, anthropology, medicine, and politics. (shrink)

_Continental Philosophy: A Contemporary Introduction_ is ideal for students coming to the topic for the first time. It introduces the origins and development of the tradition, tracing it from Kant to the present day. Taking a clear thematic approach, Andrew Cutrofello introduces and assesses continental philosophy’s relation to fundamental questions in philosophy, such as ethics, humanism, phenomenology, politics and metaphysics, centring the book around the following questions: What is knowledge? What is moral obligation? For what should we hope? What is (...) ‘man’? What is critique? Andrew Cutrofello’s style is lively and engaging. He also introduces the major as well as the lesser-known thinkers of the continental tradition: from Kant, Mill and Nietzsche and Husserl to Heidegger, Merleau-Ponty, Sartre Levinas, Bataille and Kristeva. (shrink)

In this insightful study of the common origins of analytic and continental philosophy, Friedman looks at how social and political events intertwined and influenced philosophy during the early twentieth century, ultimately giving rise to the two very different schools of thought. He shows how these two approaches, now practiced largely in isolation from one another, were once opposing tendencies within a common discussion. Already polarized by their philosophical disagreements, these approaches were further split apart by the rise of Naziism and (...) the resulting emigration of all influential German-speaking philosophers except for Heidegger. Although the book gives a general overview of the philosophical issues of the period, the author pays special attention to the relationships among three key twentieth-century philosophers: Rudolf Carnap, Ernst Cassirer, and Martin Heidegger. (shrink)

Continental Philosophy: A Contemporary Introduction surveys the main trends of European philosophy from Kant to the present. It is clearly written and accessible to students. In a novel approach, Andrew Cutrofello looks at continental philosophy through the lens of four questions that derive from Kant: -How is truth disclosed aesthetically? -To what does the feeling of respect attest? -Must we despair, or may we still hope? -What is the meaning of philosophical humanism? Cutrofello shows how these questions have been taken (...) up by (1) phenomenologists, (2) continental ethicists, (3) hermeneuticians and critical theorists, and (4) existentialists and their critics. In the introduction and conclusion, he explains how the questions raised by continental philosophers differ from their analogues in the analytic tradition. With its frequent references to Shakespeare, Cutrofello's style is lively and engaging. His remarkably comprehensive book will be of interest not only to students but to anyone seeking a reliable overview of the continental tradition. (shrink)

The Theory of Literature in German Romanticism Philippe Lacoue-Labarthe, Jean-Luc Nancy. Preface: The. Literary. Absolute. I. "There are classifications that are bad enough as classifications, but that have nonetheless dominated entire ...

Bd. 1. 1791-1794.--Bd. 2. 1793-1795.--Bd. 3.--1794-1796.--Bd. 4. 1797-1798.--Bd. 5. 1798-1799.--Bd. 6. 1799-1800.--Bd. 7. 1800-1801.--Bd. 8. 1801-1806.--Bd. 9. 1806-1807.--Bd. 10. 1808-1812.

Bd. 1. 1791-1794.--Bd. 2. 1793-1795.--Bd. 3.--1794-1796.--Bd. 4. 1797-1798.--Bd. 5. 1798-1799.--Bd. 6. 1799-1800.--Bd. 7. 1800-1801.--Bd. 8. 1801-1806.--Bd. 9. 1806-1807.--Bd. 10. 1808-1812.

Diese Hardcover-Ausgabe ist Teil der TREDITION CLASSICS. Der Verlag tredition aus Hamburg veroffentlicht in der Buchreihe TREDITION CLASSICS Werke aus mehr als zwei Jahrtausenden. Diese waren zu einem Grossteil vergriffen oder nur noch antiquarisch erhaltlich. Mit TREDITION CLASSICS verfolgt tredition das Ziel, tausende Klassiker der Weltliteratur verschiedener Sprachen wieder als gedruckte Bucher zu verlegen - und das weltweit! Die Buchreihe dient zur Bewahrung der Literatur und Forderung der Kultur. Sie tragt so dazu bei, dass viele tausend Werke nicht in Vergessenheit (...) geraten. (shrink)