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  1. The Expression of the Emotions in Man and Animals.CHARLES DARWIN - 1955
     
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  • What Are Emotions? And How Can They Be Measured?Klaus R. Scherer - 2005 - Social Science Information 44 (4):695-729.
    Defining “emotion” is a notorious problem. Without consensual conceptualization and operationalization of exactly what phenomenon is to be studied, progress in theory and research is difficult to achieve and fruitless debates are likely to proliferate. A particularly unfortunate example is William James’s asking the question “What is an emotion?” when he really meant “feeling”, a misnomer that started a debate which is still ongoing, more than a century later. This contribution attempts to sensitize researchers in the social and behavioral sciences (...)
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  • Sensorimotor Grounding of Musical Embodiment and the Role of Prediction: A Review.Pieter-Jan Maes - 2016 - Frontiers in Psychology 7.
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  • Rhythm is It: Effects of Dynamic Body Feedback on Affect and Attitudes.Sabine C. Koch - 2014 - Frontiers in Psychology 5.
  • Perceiving Affect From Arm Movement.Frank E. Pollick, Helena M. Paterson, Armin Bruderlin & Anthony J. Sanford - 2001 - Cognition 82 (2):B51-B61.
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  • Music and Emotion: Perceptual Determinants, Immediacy, and Isolation After Brain Damage.I. Peretz - 1998 - Cognition 68 (2):111-141.
  • Evidence for Distinct Contributions of Form and Motion Information to the Recognition of Emotions From Body Gestures.Anthony P. Atkinson, Mary L. Tunstall & Winand H. Dittrich - 2007 - Cognition 104 (1):59-72.
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  • Hunting for the Beat in the Body: On Period and Phase Locking in Music-Induced Movement.Birgitta Burger, Marc R. Thompson, Geoff Luck, Suvi H. Saarikallio & Petri Toiviainen - 2014 - Frontiers in Human Neuroscience 8.
  • Music to My Eyes: Cross-Modal Interactions in the Perception of Emotions in Musical Performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley, Ioana M. Dalca & Daniel J. Levitin - 2011 - Cognition 118 (2):157-170.
  • Dance, Music, Meter and Groove: A Forgotten Partnership.W. Tecumseh Fitch - 2016 - Frontiers in Human Neuroscience 10.
  • The Deliberate Control of Emotional Experience Through Control of Expressions.Sandra E. Duclos & James D. Laird - 2001 - Cognition and Emotion 15 (1):27-56.
  • Cross-Modal Interactions in the Perception of Musical Performance.Bradley W. Vines, Carol L. Krumhansl, Marcelo M. Wanderley & Daniel J. Levitin - 2006 - Cognition 101 (1):80-113.
    We investigate the dynamics of sensory integration for perceiving musical performance, a complex natural behavior. Thirty musically trained participants saw, heard, or both saw and heard, performances by two clarinetists. All participants used a sliding potentiometer to make continuous judgments of tension (a measure correlated with emotional response) and continuous judgments of phrasing (a measure correlated with perceived musical structure) as performances were presented. The data analysis sought to reveal relations between the sensory modalities (vision and audition) and to quantify (...)
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  • Hearing What the Body Feels: Auditory Encoding of Rhythmic Movement.Jessica Phillips-Silver & Laurel J. Trainor - 2007 - Cognition 105 (3):533-546.
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  • Conscious Emotional Experience Emerges as a Function of Multilevel, Appraisal-Driven Response Synchronization.Didier Grandjean, David Sander & Klaus R. Scherer - 2008 - Consciousness and Cognition 17 (2):484-495.
    In this paper we discuss the issue of the processes potentially underlying the emergence of emotional consciousness in the light of theoretical considerations and empirical evidence. First, we argue that componential emotion models, and specifically the Component Process Model , may be better able to account for the emergence of feelings than basic emotion or dimensional models. Second, we advance the hypothesis that consciousness of emotional reactions emerges when lower levels of processing are not sufficient to cope with the event (...)
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  • Sensorimotor Coupling in Music and the Psychology of the Groove.Petr Janata, Stefan T. Tomic & Jason M. Haberman - 2012 - Journal of Experimental Psychology: General 141 (1):54-75.
  • How Music Creates Emotion: A Multifactorial Process Approach.Klaus R. Scherer, Eduardo Coutinho, T. Cochrane, B. Fantini & K. R. Scherer - 2013 - In Tom Cochrane, Bernardino Fantini & Klaus R. Scherer (eds.), The Emotional Power of Music: Multidisciplinary Perspectives on Musical Arousal, Expression, and Social Control. Oxford University Press.
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  • Emotion Regulation Through Listening to Music in Everyday Situations.Myriam V. Thoma, Stefan Ryf, Changiz Mohiyeddini, Ulrike Ehlert & Urs M. Nater - 2012 - Cognition and Emotion 26 (3):550-560.
  • Music, Memory and Emotion.Lutz Jäncke - 2008 - Journal of Biology 7 (6).
    Because emotions enhance memory processes and music evokes strong emotions, music could be involved in forming memories, either about pieces of music or about episodes and information associated with particular music. A recent study in BMC Neuroscience has given new insights into the role of emotion in musical memory.
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