John Searle's Speech Acts and Expression and Meaning developed a highly original and influential approach to the study of language. But behind both works lay the assumption that the philosophy of language is in the end a branch of the philosophy of the mind: speech acts are forms of human action and represent just one example of the mind's capacity to relate the human organism to the world. The present book is concerned with these biologically fundamental capacities, and, though third (...) in the sequence, in effect it provides the philosophical foundations for the other two. Intentionality is taken to be the crucial mental phenomenon, and its analysis involves wide-ranging discussions of perception, action, causation, meaning, and reference. In all these areas John Searle has original and stimulating views. He ends with a resolution of the 'mind-body' problem. (shrink)

This paper begins by presenting Lawlor's Derrida and Husserl: The Basic Problems of Philosophy, an account of how deconstruction emerges as Derrida discusses Husserl's phenomenology (I.). It then determines the genre of Lawlor's intellectual history. Lawlor writes a continuist narrative history of ideas and concepts (II.). In the subsequent main section the paper uses Lawlor's material to take a position in the debate between Husserl and Derrida (III.). This is done in three parts. The first part reconstructs Derrida's version of (...) Husserlian time consciousness (III. 1). The second part proposes an alternative and revisionist reading of Husserl's theory of internal temporality. On this reading Husserl is a process theoretician of consciousness (III. 2). The third part juxtaposes Husserl and Derrida's critical views (III. 3), arguing that Husserl's fluxive theory of time consciousness does not suffer from the problems Derrida finds in his Husserl. The final section (IV.) points to relativizing consequences for deconstruction and identifies programmatic consequences for phenomenology. (shrink)

Derrida uses ideas and claims of Husserl to formulate his philosophy of deconstruction. I show that he provides a garbled account of Husserl and suggest that his misunderstandings explain many features of the philosophy of deconstruction.

In this book, Moati systematically replays the historical encounter between Austin, Derrida, and Searle and the disruption that caused the lasting break between Anglo-American language philosophy and continental traditions of phenomenology ...

In this essay I explore the divide that separates Heidegger and Sartre from Husserl. At issue is what Derrida calls the “metaphysics of presence.” From Heidegger onward this has been characterized as an interpretation of both being and knowing in terms of presence. To exist is to be now, and to know is to make present the evidence for something’s existence. Husserl’s account of constitution assumes this interpretation. By contrast, Heidegger and Sartre see constitution in terms of our pragmatic engagements (...) with the world, engagements that they trace to the essential nothingness at our core. Who is correct: Husserl or those who give his phenomenology a negative basis? At issue is the nature of transcendence. Do we transcend ourselves toward the world by constituting both our own and the world’s presence or do we do so by virtue of an inner nothingness that allows us to assume various identities as a consequence of our pragmatic engagements? Husserl claims that to argue against presence is to argue... (shrink)

First published in 1962, contains the William James Lectures delivered at Harvard University in 1955. It sets out Austin's conclusions in the field to which he directed his main efforts for at least the last ten years of his life. Starting from an exhaustive examination of his already well- known distinction of performative utterances from statements, Austin here finally abandons that distinction, replacing it by a more general theory of 'illocutionary forces' of utterances which has important bearings on a wide (...) variety of philosophical problems. (shrink)

In this paper I return to one of the central points of contention in the renowned debate between John Searle and Jacques Derrida with the aim of rethinking the role of success and the place of failure in communication. What is the philosophical significance of Austin's decision to exclude from his investigation (in How to Do Things with Words) certain utterances that cannot qualify as successful? Examining the conflicting ways in which Searle and Derrida understand and respond to Austin, I (...) try to flesh out Derrida's call to grant failure (or the negative) the important place it deserves in our understanding of speech. Yet, whereas for Derrida, the call to recognize failure as an internal and positive condition ultimately leads to a structural – albeit a deconstructive – critique of language's conditions of possibility, I focus instead on the implications which this insight may have for our understanding of the actuality of language. Consequently, I argue that while Derrida's critique subverts the hegemony of success, it ironically remains, like Searle, distant from and external to the actual reverberation of spoken language. (shrink)

This article tries to bring out the implication of Cavell’s critical comments on Derrida, clustered around Cavell’s charge that deconstruction entails a flight from the ordinary. Cavell’s and Derrida’s different readings of Austin’s ordinary language philosophy provide a common ground for elaborating their respective positions. Their writings are at once the closest but also the most divergent when addressing the moral implication of speech, or more precisely, when addressing their understanding of responsibility and voice. Employing Derrida’s so-called ‘double reading’ as (...) a leitmotif will not only shed light on the moral dimension of deconstruction, but also bring the central target of Cavell’s critique into the open. (shrink)

Raoul Moati intervenes in the critical debate that divided two prominent philosophers in the mid-twentieth century. In the 1950s, the British philosopher J. L. Austin advanced a theory of speech acts, or the "performative," that Jacques Derrida and John R. Searle interpreted in fundamentally different ways. Their disagreement centered on the issue of intentionality, which Derrida understood phenomenologically and Searle read pragmatically. The controversy had profound implications for the development of contemporary philosophy, which, Moati argues, can profit greatly by returning (...) to this classic debate. In this book, Moati systematically replays the historical encounter between Austin, Derrida, and Searle and the disruption that caused the lasting break between Anglo-American language philosophy and continental traditions of phenomenology and its deconstruction. The key issue, Moati argues, is not whether "intentionality," a concept derived from Husserl's phenomenology, can or cannot be linked to Austin's speech-acts as defined in his groundbreaking _How to Do Things with Words_, but rather the emphasis Searle placed on the performativity and determined pragmatic values of Austin's speech-acts, whereas Derrida insisted on the trace of writing behind every act of speech and the iterability of signs in different contexts. (shrink)

The author wishes to thank Professor Larry Grossberg for his helpful comments on an earlier draft of this paper.

This article is a critique of the flawed logic Derrida employed in articulating his program of a Grammatology for “deconstructing” Western philosophy. I argue that Derrida in several instances built his arguments around what Kant called the “paralogism.” I look at an often cited case in order to substantiate my claim: Derrida’s reading of Saussure, where his argument is based on a paralogism. Derrida misinterprets Saussure by seeing his alleged rejection of graphical writing as a rejection of his own idiosyncratic (...) notion of “writing”, which only corresponds to Saussure’s own notion of “linguistic value,” produced in a system of differences without positive terms. (shrink)

This paper analyses the opposing accounts of ‘the ordinary’ given by Jacques Derrida and Stanley Cavell, beginning with their competing interpretations of J. L. Austin¹s thought on ordinary language. These accounts are presented as mutually critiquing: Derrida¹s deconstructive method poses an effective challenge to Cavell¹s claim that the ordinary is irreducible by further philosophical analysis, while, conversely, Cavell¹s valorisation of the human draws attention to a residual humanity in Derrida¹s text which Derrida cannot account for. The two philosophers’ approaches are, (...) in fact, predicated on each other like the famous Gestalt-image of a vase and two faces: they cannot come into focus at the same time, but one cannot appear without the other to furnish its background. (shrink)

The relations between Searle, Derrida, CP and phenomenology are complex. The writings of Derrida, the most influential figure within CP, are inseparably bound up with phenomenology and with the transformation of phenomenology effected by Heidegger. Indeed a large part of CP grew out of phenomenology. It has often been claimed that Searle's own contributions to the philosophy of mind advance claims already put forward by the phenomenologists, and Searle himself has given his own account of phenomenology, in particular of the (...) role of idealism in phenomenology. In what follows I argue that the preoccupations of early phenomenology are often those of later analytic philosophers - a point that remains invisible so long as phenomenology is looked at from the point of view of what phenomenology became - but that Searle's philosophy of mind differs on most central points from that given by Husserl. On the other hand, Searle's criticisms of Derrida and of the philosophical parts of postmodernism do indeed have much in common with the criticisms put forward by the early phenomenologists and by Husserl himself of what they saw as phenomenology's gradual transformation and degeneration and of related irrationalisms. A grasp of these similarities will suggest the beginnings of an answer to the question why Searle's anti-Derridas and anti-postmodernisms are such splendidly isolated examples of the genre. (shrink)