In 50 B.C. Cicero writes to Atticus as follows : ‘Brundisium uenimus VII Kalend. Decembr. usi tua felicitate nauigandi; ita belle nobis flauit ab Epiro lenissimus Onchesmites. hunc si cui boles pro tuo uendito.’ The antonomasia, the euphonic sibilance, and the mannered rhythm are all prominent in Cicero's hexameter. The line is a humorously concocted example of affected and Grecizing narrative. But it is also a line which, Atticus is to suppose, would value; presumably therefore it is meant to hit (...) off characteristics of their style. Cicero must in fact be parodying what he regards as a typical ‘neoteric’ line, and the significance of this simple fact has perhaps been underestimated. (shrink)

In 50 B.C. Cicero writes to Atticus as follows : ‘Brundisium uenimus VII Kalend. Decembr. usi tua felicitate nauigandi; ita belle nobis flauit ab Epiro lenissimus Onchesmites. hunc si cui boles pro tuo uendito.’ The antonomasia, the euphonic sibilance, and the mannered rhythm are all prominent in Cicero's hexameter. The line is a humorously concocted example of affected and Grecizing narrative. But it is also a line which, Atticus is to suppose, would value; presumably therefore it is meant to hit (...) off characteristics of their style. Cicero must in fact be parodying what he regards as a typical ‘neoteric’ line, and the significance of this simple fact has perhaps been underestimated. (shrink)

The paragraph in the first book of the Georgics, running from lines 118 to 159, which describes the loss of the golden age and man's subsequent history, has been very diversely interpreted. But one sentence, at 145f., has been especially controversial: labor omnia vicit improbus et duns urgens in rebus egestas.

The paragraph in the first book of the Georgics, running from lines 118 to 159, which describes the loss of the golden age and man's subsequent history, has been very diversely interpreted. But one sentence, at 145f., has been especially controversial: labor omnia vicit improbus et duns urgens in rebus egestas.

These three Ciceronian references, each used only once, have given rise to a most confusing variety of interpretations. In this article I hope to show, as far as the evidence will allow, who these poets were and what sort of poetry Cicero probably had in mind.οί νєώτєροι.

These three Ciceronian references, each used only once, have given rise to a most confusing variety of interpretations. In this article I hope to show, as far as the evidence will allow, who these poets were and what sort of poetry Cicero probably had in mind.οί νєώτєροι.